Bloodlines is a project that celebrates and honors the radical queer histories that have often remained hidden in plain sight.

Morass is a synthesis of drawing and sculpture that converges into a dynamic environment in which line and gravity, light and shadow seem to fluctuate between two- and three-dimensional space that emphasizes weight like hanging everything on overburdened sculptural gallows.

“He looked into the hole, and like any hole it said, Jump.” ― Susan Sontag, The Volcano Lover: A Romance

This work was created during while working at Urban Glass in New York City where I began silkscreen printing portraits with glass enamel that was then melted into hand rolled glass sheets.

Inspired by the Three of Cups Tarot card, which is said to resonate with a spirit of creativity, wisdom, abundance, and harmony. Creating by throwing a white stoneware clay on the wheel, and extruding exaggerated handles to hang these sculptural cups from an oak gallows, a nod to my ancestor a woman accused of witchcraft in Salem.

A Queer Pentimento: camouflage and abstraction through ceramic sculptural assemblage

This series of ceramic, glass and mixed media grottos are loosely based on a beehive form derived from drawings I made of reliquaries and stone carvings I observed while traveling in Italy and France.