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Exhibition: Guttenberg Arts

Join us on Saturday April 2nd for Wunderkammer, an exhibition of work by Andrew Cornell Robinson and Karen Leo at Guttenberg Arts, 6903 Jackson Street, Guttenberg, NJ 07093
April 2, 2022 - May 1, 2022; Opening Saturday April 2nd, 2022.
Schedule your visit by going to
For more information please contact or 201-868-8585
Guttenberg Art Gallery is free and open to the public by appointment only.

My Cup Runneth Over IVGlazed and raku fired ceramic with enamel, plastic, glitter, and gold leaf

During his time at Guttenberg Arts, New York-based artist Andrew Cornell Robinson (b. 1968, Camden, NJ) has methodically drawn, modeled, carved, cast, printed, and created a layered network of queer and peculiar artifacts and images exploring history, memory, erasure, brokenness, and repair. Robinson’s work during the residency reflects on these themes through a series of layered prints, and ceramic forms that introduce an ad-hoc kintsugi (the Japanese art of repair with gold and lacquer) with the use of DIY materials (duct-tape, epoxy, plastic, spit, gold, glitter, and glue), combining collage and drawing onto a painterly and fragmentary surface. By interrogating collage and traditional methods of making, Robinson made room for a new vocabulary embedding his personal and queer histories through layering and obfuscation.

Robinson reflects on his work: “Drawing upon notions of brokenness, of seeing the world, or ourselves just as we are, and finding some acceptance of that imperfect humanity have emerged in my work. Initially I was drawn to Kintsugi, a tradition that celebrates the fix. This Japanese art of repairing broken ceramic by mending the fragments with lacquer mixed with powdered gold, likely arose during the fifteenth century when shogun Ashikaga Yoshimasa broke a favorite celadon tea bowl. This bowl was sent for repair and returned with its fragments pieced together with iron staples as was the custom at that time. The result was an unsightly repair, and Ashikaga turned to some local Japanese craftsmen who filled the cracks and fragments with lacquer and gold powder, accentuating the breakage with something precious. Kintsugi transforms something broken into something renewed; its mended cracks reveal its unique character and accentuates its aesthetic appeal through the acceptance of its shortcomings. My appropriation and adaptation of this approach to repair, is probably closer to the tinkering traditions of my grandfather who was always making or fixing something. As he would say, “…a bit of spit and glue will do nicely.” 

Robinson’s residency led him to explore new work at the intersection of printmaking and ceramics. He uses hand built and wheel formed porcelain that is then cut, carved, and covered with custom silkscreened decals. The glazed and fired works are in some cases broken, or cracked, and an adhoc repair of these objects result in renewed artifacts and enigmatic narratives. The decal and surface imagery pollute the form, and is eerily detached from the objects, like the asynchronous imposition of graffiti over an edifice. These ceramic forms are presented along with a series of painterly prints built up with layered images abstracted figures and obscured portraits. 

  • Craft and Cultural Intersections

    Donna Karan and the Design, Organization, Training Center invited Andrew Cornell Robinson to work with Haitian artisans and design a ceramics studio in Port-au-Prince. This work led to a commission for ceramic ritual vessels and exhibition in NYC.

    Exhibition: Soniashnyk/Sunflowers

    The Clemente Open Studios and exhibition benefit in support of Ukrainian refugees, on Saturday, May 21 from 4-8p and Sunday, May 22, 2022 from 2-6p. Benefit exhibition and sale of contemporary ceramics, works on paper, and paintings.